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Music Law: How to Run Your Band's Business, by Richard Stim
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The No. 1 bestselling business book for bands!
If you belong to a band and love the art of your job, but sing the blues when it comes to the business side, you need Music Law. Composed by musician and lawyer Richard Stim, the book explains how to:
. find the right manager
. buy, insure and maintain equipment
. get gigs and get paid
. tour on a budget
. use samples
. do covers legally
. protect your copyright
. trademark your band’s name
. choose a recording studio
. sell your music
. manage your website
. understand record contracts
. deal with taxes
Music Law provides all the legal information and practical advice musicians need. This edition is thoroughly updated with the latest changes in copyright and trademark law, including guidance on filling out "Form CO." Plus, find expanded information on musical collaborations between DJs and other musicians. You'll also get the most up-to-date legal forms avaliable.
- Download forms for book on nolo.com
- Sales Rank: #683234 in Books
- Brand: Brand: Nolo
- Published on: 2012-09-17
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.50" w x 7.02" l, 1.89 pounds
- Binding: Paperback
- 421 pages
- Brand Name: Baker and Taylor Mfg#: 9781413317435
- Shipping Weight: 1.92 lbs
- Manufacturer:
- Genre:
- All music products are properly licensed and guaranteed authentic.
Amazon.com Review
Some musicians recoil at the thought that their band is a business. They believe that their music is their art, and don't want to sully it with commerce. That's all well and good--but wouldn't you give up your day job if you had the chance? Music Law can help you see your band as a business and turn it into a successful one. Musician and attorney Richard Stim has filled this useful book with helpful advice on solving disputes between band members, dealing with lawyers, managers, and record companies, and even the increasingly important matter of sample clearance. The advice is extremely thorough; for example, the chapter on band names includes information on researching your band's name to ensure it isn't already in use, what happens if two bands have the same name, and even how to register your band's name and logo. Because he advises getting all agreements in writing, Stim has provided dozens of sample agreement forms, both as blank hard copies in the book and as templates on the enclosed disk. Throughout the book, Stim provides important legal advice, all translated from stilted legalese into simple English. Both big and little names get into these difficulties sometimes; the book is peppered with cautionary tales of real musicians and their legal squabbles. Music Law can help you avoid such pitfalls and get your band's business running smoothly--so you might be able to quit that day job, after all. --C.B. Delaney
Review
"Explains the business side of running a band from a legal perspective.... Covers downloads and other Internet issues." Reference & Research Book News
About the Author
Richard Stim specializes in small business, copyright, patents, and trademark issues at Nolo. He practices law in San Francisco and has represented photographers, software developers, crafts people, publishers, musicians, and toy designers. He is the author of many books, including "Music Law," and "Profit From Your Idea." Stim also produces audiobooks, and performs and records with two bands.
Most helpful customer reviews
31 of 32 people found the following review helpful.
The most practical of the "how-to" music business books.
By A Customer
I have read most of the books which attempt to explain music business law and practice to musicians, and this one is by far the MOST PRACTICAL and the MOST USEFUL. It is very clearly written by a lawyer who also teaches law and who formerly played in several "signed" bands. The book contains good explanations of music publishing and the record business, and you will want to read them even if you are intending to hire a lawyer. If you can't afford a lawyer yet, it provides actual documents (copyright registration forms, label-shopping agreements, etc.) on CD-ROM that you can tailor to your band's needs and use to get started. If you only plan to buy one book about "this business of music", THIS IS THE ONE TO GET.
14 of 14 people found the following review helpful.
No Longer Stumbling Blindly
By A Customer
A friend forwarded me a copy of Mr. Stim's book, and I am very happy that they did. My band is in the beginning stages of securing an independent record deal. I found that after reading the book, I was able to go into a meeting with the record company and know what questions to ask. I had some clue as to what they were talking about! I like that he included the forms and instructions on how to fill them out. It is a good basic reference book to help you figure out what to do and how to do it in a straight forward manner! Thanks Nolo! You've done it again!
21 of 24 people found the following review helpful.
Entertainment Business from a basic English understanding
By E. Peltier
Approaching the music industry unarmed is similar to throwing a lame duck into a pool of festering sharks. It has the potential to be complete bloodshed all around. Whether a band trying to take the step from a basement experiment to the real world or a student considering the realm of entertainment as a career or a seasoned vet looking for that down-to-Earth interpretation of legalese, Music Law... can explain it all. From the standpoint of an educational tool, Music Law... acts as a great springboard into the complexities of the entertainment industry from more than a just a pure business and legal perspective. It approaches a series of complex industry issues with an ease of explanation which details nearly every issue that one would face in maintaining a music career. The finest quality of the Music Law... is the simplicity of the writing. Each chapter is broken down by subheads and cuts right to the meat-and-potatoes of issues everyone in the industry from a band, to a manager, to a label and beyond, has to face. The language is clear and concise, avoiding the convoluted language and overall wordiness business writing and legalese, while still explaining in detail the concepts at hand. Each real world example includes a simple, plain-English version of a contract or agreement to work in conjunction with the topic at hand, which is then dissected even further to define the points contract covers. By no means, however, should the scaled down versions of contracts and agreements in Music Law... be looked at as any more than a basic learning tool. There truly is no substitute for obtaining proper legal and business council or at least gaining a firmer understand of the subtitles of business writing and legal jargon. No simple turn of phrase carries the same weight as a properly worded and arranged contract and therefor the ideas presented in Music Law... should be treated as a guide to furthering your basic understanding of such wording rather than a substitute of such. The depth of the subjects Music Law... attempts to define and the breath of concepts it covers is stunning. From forming a band as a business entity, to touring and riders, to songwriting credits and royalty collection, to ownership issues and copyright and beyond, Music Law... takes more than a glancing look at it all in simple terms. Whether you are new to the entertainment business or an old hat looking at more simplistic detail Music Law... has the potential to be an invaluable resource to obtain a basic understanding of the business and legal aspects of the industry.
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